Let's take some distance from our most serious ruminations and venture into the realm of entertainment and the age of fantastic tales of consideration camps and other fantasies.
We have seen every major budget movie or show along several huge licenses turning to shit in very little time. One would say it started a long time ago, others would say that it really only became critically bad once the wokeness kicked in in full force.
Hollywood is one big dream machine, entirely owned by Jews. It's a factory of mesmerizing products that now chew on every possible license, old or new, that the industry's companies can put their hands on to turn them into even more acrid poison they will spew.
At the forefront of it we have Disney and some others major offenders. With the money taken from the goyim they fleece, they continue buying more property from studios that are complicit in that scheme, and use the old licenses as trojans for ((( ESG ))) and ((( DEI ))) messages.
Parallel to this, we have the dumbing down of the already present population, the importation of natively stupid non-White populations, and the manipulation of reviewing systems, be they comment sections, talks on forums and review aggregators, all railroaded by paid agents and waves upon waves of bots, in order to synthesize a fake consensus and to isolate any true harsh criticism thrown at these late productions.
One recent example that I found interesting is the old movie license PREDATOR. This is a license that's been going down the drain for ages now. The last three movies have been directed by a kike who goes by the name of ((( Trachtenberg ))) (not Trashtenberg but close). His latest installment in the series that wouldn't be given a honorable death is PREDATOR: BADLANDS.
Right off the bat I knew I wouldn't want to watch it. Too much exposition, a reduced level of gore, a blatant attempt at humor, a teaming up with a psychologist and smug android, the not so subtle pairing of a nice blonde and a negroish space killer, and many more things, I knew there would be nothing worth watching here. I have no good expectations for movies these days, at least nothing for whatever comes out of big Western studios.
You will easily find as many good reviews of the movie than negative ones. Today this would definitely average a 5-7/10 score despite all the maniacal embezzlement shat by soyed journos who try so hard to sell you this movie as the next big thing.
The movie and its trailer are very disingenuous and typical of the ensnarement tactic used by big studios lately. They lure people with promising premises, give them something for their money, then slowly introduce the real content of the product, what was planned all along while the introductory phase was nothing more than a trap to lull people into an accepting state of mind.
They did this with this movie too.
https://yewtu.be/watch?v=dFfu2Dglysc
Then we're supposed to think the movie was one huge success but it's impossible not to notice the dissonance.
https://yewtu.be/watch?v=gBpeZ2zPlzc
It's frankly not hard to find negative reviews of the movie and they swing between a dislike of the treatment given to the hunter to the bad writing, the lack of gore against the video game like saturation of CGI, and issues that are more political in nature.
Then we have aggregators like RT that seem to tell us that his movie is fantastic, and perhaps the best thing since sliced bread for the entire franchise.
rottentomatoes.com/m/predator_badlands
>Tomatometer
>269 Reviews
>86%
>Popcornmeter
>5,000+ Verified Ratings
>95%
I call these numbers bull. Definitely altered. But this movie could have been even worse.
screenrant.com/predator-badlands-world-war-2-nazi-movie-idea-dan-trachtenberg/
And so on.
Yet, I love seeing yids breaking every single pillar of their most precious mind poisoning industry, when all they had to do was just keep producing the same stuff with only a little bit more insidious wokeness mixed to male badassery full center for most of the time, acting as a waving hand to keep your attention focused on it so you don't notice the big changes in the background, like the Cruise movies do. I mean in TG: Maverick they literally gave us flashbacks where the old and new crews are literally shown back to back and you could see the blatant diversity and equality rates had increased massively during the thirty plus years gap, but you're neatly asked to shut down your notice'o'meter and ignore the Great Replacement happening right before your own very eyes. How humiliating and psychologically alienating.